CopTales 2000 and
Beyond?
In 2000, the Police Writers Club (the
PSWA’s predecessor organization) decided to publish the winning stories
from our annual writing competition. At that time, the contest was
limited to works of fiction and non-fiction, 1500 words or less. After
announcing that we were going to do this, members began coming to us with
a lot of other stories and even a few novellas and before long we had a
book-length anthology. Of the 1,500 copies we printed through .38 Special
Press, just 20 copies still remain – those whose covers got a little
dinged up by shipping and were rejected by Amazon.com. Some of you have
requested copies, so they’ll be available on a first come-first served
basis for $5 each. To request a copy, contact
molsen@policewriter.com. Sometime in the near future, if there’s
enough member interest, we may do a second anthology. Let us know if you
might have a story to contribute or would like to volunteer some of your
time to make this happen. Again, contact
molsen@policewriter.com.
Thanks!
A special thank you to Beyond the Badge magazine for its
full-page coverage of the 2006 PSWA writing competition in its Spring 2006
issue. For a copy of Beyond the Badge, write to Beyond the Badge, 47-01
Greenpoint Ave. #114, Sunnyside NY, 11104 or call (888) 831-7605.
Beyond the Badge is edited by PSWA member Liz Martinez
Have You Returned
Your Survey?
By now, all PSWA members should have
received a member-interest survey, your chance to help us continue to
provide the activities and benefits you enjoy most from PSWA and the
opportunity for you to volunteer your time and talents to help the
organization continue to grow and prosper. If you did not receive a
survey by e-mail or prefer to snail mail your survey, please print out the
copy printed below and send it to PSWA, 2024 Falcon Court, Bellingham, WA
98229. Thanks!
---------------------------------------------------------------------------------------------------
Interest Survey
Your name____________
Please rate the activities listed below on a scale of
1-5 with 1 being the most important to you and 5 the least important to
you.
__website
__writing competition
__annual conference
__newsletter
__manuscript review
__list serve
Please feel free to comment on any of the above.
Volunteer opportunities: Please check the activities
for which you would be willing to donate your time and talent.
Conference
__Help recruit speakers
__Publicize the conference
__Recruit sponsors
Newsletter
__Write articles of interest to the membership
__Write new member profiles
Website
__Do book reviews
__Write “tips”
Writing Competition
__Help publicize the competition
__Find judges for the various categories
Membership
__Provide names of potential members
__Write (or e-mail) potential members about joining
Publications list
__Supply information on publications that accept
freelance work
-------------------------------------------------------------------------------------------------------
Welcome New Members
James Andre Boles is an 18 year veteran of
police departments in San Francisco, Mendocino and Reno. He is now a
practicing attorney in Reno.
Brad W. Coulbeck is a sergeant and team leader
of the Emergency Response Team of the Ontario Provincial Police
Department.
Janice Law is a judge and former state and
federal prosecutor in Houston, Texas. Law has published a non-fiction
book, Sex Appealed: Was the U.S. Supreme Court Fooled? She is
also a columnist for the Galveston, Texas Daily News.
Joe Pelkington is a retired police chief of
the city of Treasure Island, Florida. Prior to that, Pelkington was
deputy chief of the Tampa, Florida Police Department. He has been
published in the Florida Police Chief Magazine and is currently working on
a book titled Shades of Blue: From Street Cop to Police Chief.
Johnny Saunders is a police officer and
criminal investigator in Wilmington, Delaware and two-time recipient of
the Distinguished Service Award and Merit Lifesaving Award. He trains new
officers, fresh out of the academy and is completing a mystery novel.
Philip Weiss is a paramedic and lieutenant
with the New York City Fire Department’s EMS Command. Weiss has been
published in Fire Engineering and EMS Rescue Technology.
Books of Interest
By Marilyn Olsen
Following are three books I picked up last month at
the American Society of Journalists and Authors annual conference in New
York.
Bob Bly’s Guide to Freelance Writing Success: How
to Make $100,000 a Year as a Freelance Writer and Have the Time of Your
Life Doing it, by Robert W. Bly.
Filbert Publishing. 252 pp. $15.95. (www.bly.com).
If you are or aspire to be a freelance writer and
actually make a living at it, Bob Bly’s book is a great reference.
Although Bly is primarily a corporate writer and a lot of his income seems
to come from public relations and advertising copywriting rather than
feature or technical articles, there are still some nuggets in his book
for every writer – no matter what subject they write about. Some of his
advice is common sense, but always bears repeating. Write what you know.
Write what interests you. “If every piece you write is on a new or
unfamiliar topic, your research will be more time consuming and you won’t
be able to produce finished writing as rapidly.” Bly says another key to
his success is to “develop your interest by becoming a specialist in one
or more areas of knowledge, then write about those areas from many
different angles.” That way, he says, one research effort can pay off
many times. Bly is also a firm advocate of being a voracious reader,
suggesting that writers spend at least 30 minutes a day reading newspapers
and magazines, clipping articles that offer ideas and filing them for
future use. Other chapters involve setting financial goals, writing query
letters and promoting yourself by setting yourself apart from competing
writers. A 10-page reference section at the back of the book lists other
books, articles and websites that contain Bly’s words of wisdom. You may
not agree with everything he says, but, hey, you’re bound to learn
something by heeding the advice of a guy who claims last year he brought
home a half-million dollar income doing freelance work.
Get Slightly Famous: Become a Celebrity in Your
Field and Attract More Business with Less Effort. Steven Van Yoder,
Bay Tree Books, 248 pp. (www.getslightlyfamous.com).
As we discuss elsewhere in this edition of the
newsletter, today’s editors and agents expect basically all authors to be
involved at least to some extent in marketing their books, and, of course,
if you self publish, chances are the whole job of marketing will be
up to you. To do this, the experts say, you need to give careful
consideration to developing a “brand” for yourself that becomes the
“platform” from which you launch your marketing campaign. How do you do
this? Van Yoder says, by becoming “slightly famous.” In format, “Get
Slightly Famous” will remind you of the Dummies books, replete with
lots of lists, sidebars, examples and catchy photos. This format makes
the book way more fun to read than other books on this subject. The
“real-world success stories” scattered throughout the book are both
engaging and instructive. While Get Slightly Famous is directed
toward business entrepreneurs (everyone from “the funniest tax guy in
America,” to dog biscuit bakers who call themselves “entredogneurs”)
there’s a lot of good advice in the book for authors of all genres –
whether you aspire to write for magazines, newsletters, on-line or produce
the next great American novel. There is a chapter on why you need a
website, as well as a common sense chapter on how to not only get speaking
engagements but how to become an interesting speaker as well. A 15-page
resources section in the back can lead you to even more information on the
subject.
Guerrilla Publicity: Hundreds of Sure-Fire
Tactics to get Maximum Sales for Minimum Dollars. Jay Conrad
Levinson, Rick Frishman and Jill Lublin, Adams Media Corporation, 301 pp.
Although a little less fun to read than Get
Slightly Famous, Guerilla Publicity is another great guide to
understanding the kinds of things you’re going to have to know when it
comes time to publish your book or promote your articles to editors.
Divided into nice concise chapters, that are, in turn, divided into short
paragraph or two topic areas, the book offers down to earth, non
buzz-wordy ideas designed to help you stand out from the crowd of folks
doing basically the same thing you’re trying to do. Chapters 13 and 14,
for example, are titled “Fifteen Things the Media Hates” and “Fifteen
Things the Media Loves.” They’re both full of words to the wise not just
for contacting the media, but also agents and editors as well. The last
60 pages of the book contain real-life sample materials and examples of
the points the authors have made throughout.
Alas, These Days
it’s All About Branding
By Marilyn Olsen
Maybe it’s just me, but the
older I get, the more impatient I get with business buzz words.
Unfortunately, for those of us who are interested in publishing, it’s hard
to go anywhere where two or more publishing house editors or agents are
gathered these days and not hear endlessly about “branding” and
“platforms.”
Lifted near as I can tell
directly from the advertising business, branding, as it relates to authors
is pretty much what in the ad biz branding means to, oh, say tomato sauce
or dog biscuits. In order to stand out from the competition, you need to
have an image (brand) that makes you so special your book (or your tomato
sauce) will be the one that people will remember and therefore buy. Thus,
it is no longer enough to simply write a book, even a good book or a great
book. There has to be something about you, the author that gives you a
fighting chance to get the TV interviews, the radio interviews, the
newspaper stories or even the appearances at the local Rotary Club that
others can’t get.
Once you have a brand, then
you have a platform from which to launch your book. As we’ve been
pointing out on this site for a while now, there is very little even the
major publishers will do to publicize your book if you aren’t willing to
pitch in and do most of the work.
So, how do you achieve a
brand? For non-fiction writers, achieving a brand is often easier. Their
expertise in an area gives them a built-in advantage, particularly if they
also happen to be a well known expert in their chosen field. It also
never hurts, of course, to be a celebrity. Thus, folks like Dr. Phil have
great brands. Dr. Phil is a perceived expert in his field (psychology)
and, because he’s a TV star, he also has the celebrity brand. It wouldn’t
much matter what he wrote a book about (I believe the last one was about
dieting), he’d already have a dynamite platform from which to sell books,
because his brand was so well known.
Fiction writers may have a
bit more of an uphill climb to brand-hood, although you have to hand it to
perhaps the most famously branded fiction writer these days, Dan Brown.
Brown, the author of the Da Vinci Code, is neither a theologian nor a
particularly well credentialed Biblical scholar but the talk show hosts
just can’t get enough of him, inevitably pairing him up with actual
theologians to endlessly debate his (Brown’s) fictional premise that Jesus
was married to Mary Madeline. And every time he makes one of those
appearances, the name of his book (now also movie) gets a mention and the
books fly off the shelves. Talk about a platform!
So, since that particular
plot line has already been taken, what can you do to create a brand for
yourself that will eventually result in recognition and book sales? For
some of you who are writing detective novels, you’re already on your way
to a brand. You are a detective (or at least a police officer of some
kind), so you have more credibility than another crime writer who is not.
Probably, however, just being a police officer won’t be enough,
brand-wise, since so many cops write detective novels. Thus, you’ll have
to double up. For example, if you’re a female police officer, you can get
extra branding points if your main character is also a female police
officer and your book involves issues you’ve personally experienced (such
as sexism, discrimination, family pressure to stay home with the kids,
etc.). In addition to both of those “brands,” it would probably be
helpful to have the crime in your detective novel involve your particular
area of professional expertise – drug enforcement, identity theft,
immigration policy, etc. If you also happen to have been involved in a
high profile case that got a lot of media attention (hopefully favorable
to you) you’ve got even more ammunition when it comes to building your
platform from which to launch your promotional effort. Other
possibilities would include coming from a long line of police officers,
being the daughter of a female police officer, having dual credentials
(police officer/psychologist). Extra curricular activities can also help
build your brand. Examples might be that you’re a tough female cop who
also writes poetry or does watercolors or you are equally tough in another
field such as being a competitive swimmer. The more interesting things
there are about you personally, the stronger your brand, therefore the
wider the scope of opportunities for others to help promote you.
Because branding is so
important these days, before you even start to write, you probably need to
think about how the content of your book will help you not just create a
good story line, but also how it will help you sell it. Back to Dan Brown
for a moment. Unlike you, Dan Brown didn’t have the advantage of being a
professional police officer, or even a well-recognized historian for that
matter. So what he did was find a topic that he knew would be extremely
controversial. Most police officers are familiar with controversy, so
this may be easy for you. When thinking about controversy, however,
remember to think about the wide audience you’ll need to buy your book.
Internal controversies in your department may have been a big deal to you,
but it is unlikely they will be of general reader interest.
Another approach is to write
about something that’s grabbed the headlines. That’s how true crime
authors succeed, by becoming “experts” on the lives of everyone involved
in the crime and punishment in high profile murder cases. The
disadvantage of this specialty, of course, is that you have to act fast,
while the public is still interested and compete with others who’ve also
thought of this idea.
Review of
Fighting Crime with “Some” Day and Lenny or What Happens When Dragnet
Meets Car 54 Where Are You, written up in
Beyond the Badge magazine
by
Sal Montero
Police work is serious business, but it's a
rare officer of the law who doesn't have a sense of humor. Retired
Suffolk Co., N.Y. police officer Keith Bettinger displays his funny-man
side in his first collection of short stories, titled "Fighting Crime with
'Some' Day and Lenny: Or What Happens When Dragnet Meets Car 54, Where Are
You?" (iUniverse, 2006).
Bettinger doesn't take anything too
seriously — least of all, crime fighters. The stories in this book center
on Sgt, Robert Day, who, to his chagrin, is nicknamed "Some" Day, and his
partner, Detective Lenny Birnbaum. Some Day and Lenny work the Major Case
Squad on Staten Island, "where every case is a major case."
Some Day and Lenny don't just stay on their
home turf, though — they are sent hither and yon to fight crimes too big
for the other squads to handle. Ever hear of Pahrump, Nev.? Neither did
Some Day and Lenny, until they're sent there for an extradition, Pahrump,
for the uninitiated, is a small burg just outside Las Vegas. But Lenny is
one connected guy, and he hooks himself and his partner up in Sin City:
"Through his friends, we were picking up our rental car from Such a Deal
Car Rental. He also booked us a suite at a single room rate at the So
Maybe You'll Win Casino," Day reports.
All's well that ends well, and Some Day and
Lenny always manage to get the bad guys — and extricate themselves from
some pretty uncomfortable situations — by the end of each short story.
The stories are really short, too — only two or three pages each, perfect
for quick breaks, although readers won't want to stop delving into the
pair's adventures.
The entire collection will generate
guffaws, except for the final story. In "What It's Ail About," Bettinger
demonstrates his genius for addressing serious topics, too. The author
sends his Dynamic Duo to Washington, D.C., for the Candlelight Vigil at
the National Law Enforcement Officers Memorial to honor fallen officers.
So while you'll chuckle from the beginning of the book, you'll finish up
with a lump in your throat.